Yellow Earth Essays

Yellow Earth Essays Yellow Earth Paper Yellow Earth Paper According to the New York State Writers Institute Yellow Earth has swiped away viewers of almost every nationality. The burst of Yellow Earth in the Chinese culture surpassed any film before made by any Japanese arena. It meant future hope for cinematographers like Zhang Yimou and Chen Kaige which have enthralled cinemagoers with works like Red Sorghum and Farewell, My Concubine. As with other trailblazers, the Fifth Generation needed a breakthrough movie to bring them to the attention of viewers at home and abroad. This new era of filming color and graphics for the viewers back in 1984 was a smashing hit for the Chinese community. It brought a new way of thinking for many up to now film makers which back in those days visualization in films was not an option. As of 1984 and after the making of Yellow Earth there was great propaganda for Chinese films, specifically filmed and produced by Zhang and Chen who established themselves at the forefront of world cinema surpassing Japanese films because of their unique way and avenues to new ways of making film. This has made Chinese cinema since 1949 the state propaganda machine. Yellow Earth, which is set in 1939, centers on the relationship between Gu Qing, a member of the Eighth Route Army, and a peasant family. Gu comes to the village to compile a collection of folk songs; he meets the young Cuiqiao and her family. She is due to enter into an arranged marriage, which terrifies her. She is inspired by Gus stories of girls fighting in the army; she asks him whether she can follow him back to Yanan. While she awaits his return, she is forced to marry her appointed groom. She decides to try to join an army unit that is camping on the other side of the Yellow River. The relationship between the people who live and love this land, the party of soldiers and the land; giving the film its title of Yellow Earth. This is a Maoist revolutionary thought. The people from china struggle against the hardships of the land as they have done throughout history. Yellow Earth’s message is not openly showing and pointing out the major problems which China has come across in the past and still does against the vast masses and it’s situations but it discusses and brings reality to the viewers concerning communism and it’s purpose for the people. â€Å"Here to save the people† as Cuiqao says placing her faith and her passion with the soldiers who believe in the same cause and contributes to her inspiration of making her land a better place to live. This is the first film to emerge from China and one of the most thrilling debut features of the 80s; catching the attention of the viewers, nationally and internationally. A Communist soldier visits a backward village in 1939, and is billeted with a taciturn widower and his teenage daughter and son. The soldiers mission is to collect folk songs, and its through the exchange of songs that he gradually wins the trust and affection of his hosts. The widower’s young daughter is to be sold into marriage with a much older man. The soldiers conversations of breaking up with feudal tradition fills her with unrealistic hopes of escaping her fate as she insistently thinks of a way of leaving her fate to her own battle. The soldier returns to his base, leaving her to take her future in her own hands. There are political undercurrents here that got the film into trouble in China: the encounter between the CP and Chinas peasants is shown not as an instant meeting of minds, but as the uneasy, frustrating, and ultimately unresolved process that it actually was. What really stirred things up in old Beijing was the films insistence on going its own way. Chen Kaige and his cinematographer Zhang Yimou have invented a new language of colors, shadows, glances, spaces, and unspoken thoughts and implications; and theyve made their own language be spoken to anyone involved in the making of this movie as well as viewers from all over the world. Consistent with Chinese art, Zhang Yimous cinematography works with a limited range of colors, natural lighting, and a non-perspective use of filmic space that aspires to a Taoist thought :Silent is the roaring Sound, Formless is the Image Grand. The use of silence as a component of Third Cinema is much like the empty space of Chinese art or cinema. The long shots of the natural environment possess a respect that is accompanied by silence. By drawing upon characteristics of Chinese art, the fifth generation of Chinas film-makers create a new vocabulary, a new filmic language with which to work. By challenging Western aesthetic practice, films such as Yellow Earth can be placed within the realm of a Third Cinema.

The Battle of Khe Sanh in the Vietnam War

The Battle of Khe Sanh in the Vietnam War The Siege of Khe Sanh occurred during the Vietnam War.  The fighting around Khe Sanh began January 21,  1968,  and concluded  around  April 8, 1968. Armies and Commanders Allies: General William WestmorelandColonel David LowndsApprox. 6,000 men North Vietnamese: Vo Nguyen GiapTran Quy HaiApprox. 20,000-30,000 men Battle of Khe Sanh Overview In the summer of 1967, American commanders learned of a build-up of Peoples Army of North Vietnam (PAVN) forces in the area around Khe Sanh in northwest South Vietnam. Responding to this, the Khe Sanh Combat Base (KSCB), located on a plateau in a valley of the same name, was reinforced by elements of the 26th Marine Regiment under Colonel David E. Lownds. Also, outposts on the surrounding hills were occupied by American forces. While KSCB possessed an airstrip, its overland supply route was over the dilapidated Route 9, which led back to the coast. That fall, a supply convoy was ambushed by PAVN forces on Route 9. This was the last overland attempt to resupply Khe Sanh until the following April. Through December, PAVN troops were spotted in the area, but there was little fighting. With the increase in enemy activity, a decision was needed regarding whether to further reinforce Khe Sanh or abandon the position. Assessing the situation, General William Westmoreland elected to increase the troop levels at KSCB. Though he was supported by the commander of the III Marine Amphibious Force, Lieutenant General Robert E. Cushman, many Marine officers disagreed with Westmorelands decision. Many believed that Khe Sanh was not necessary to the ongoing operations. In late December/early January, intelligence reported the arrival of the 325th, 324th, and 320th PAVN divisions within striking distance of KSCB. In response, additional Marines were moved to the base. On January 20, the PAVN defector alerted Lownds that an attack was imminent. At 12:30 a.m. on the 21st, Hill 861 was attacked by about 300 PAVN troops and KSCB was heavily shelled. While the attack was repulsed, the PAVN soldiers did manage to breach the Marine defenses. The attack also revealed the arrival of the 304th PAVN division in the area. To clear their flank, PAVN forces attacked and overran Laotian troops at Ban Houei Sane on January 23, forcing the survivors to flee to the U.S. Special Forces camp at Lang Vei. During this time, KSCB received its last reinforcements: additional Marines and the 37th Army of the Republic of Vietnam Ranger Battalion. Enduring several heavy bombardments, the defenders at Khe Sanh learned on January 29 that there would be no truce for the upcoming Tet holiday. To support the defense of the base, which had been dubbed Operation Scotland, Westmoreland initiated Operation Niagara. This action called for the massive application of aerial firepower. Utilizing a variety of advanced sensors and forward air controllers, American aircraft began pounding PAVN positions around Khe Sanh. When the Tet Offensive commenced on January 30, the fighting around KSCB quieted. Fighting in the area resumed on February 7, when the camp at Lang Vei was overrun. Fleeing from the scene, Special Forces units made their way to Khe Sanh. Unable to resupply KSCB by land, American forces delivered needed materials by air, dodging an intense gauntlet of PAVN anti-aircraft fire. Ultimately, tactics such as the Super Gaggle (which involved the use of A-4 Skyhawk fighters to suppress ground fire) allowed helicopters to resupply the hilltop outposts while drops from C-130s delivered goods to the main base. On the same night that Lang Vei was attacked, PAVN troops assaulted an observation post at KSCB. In the last week of February, fighting intensified when a Marine patrol was ambushed and several attacks were launched against the 37th ARVNs lines. In March, intelligence began noticing an exodus of PAVN units from the vicinity of Khe Sanh. Despite this, shelling continued and the bases ammunition dump detonated for the second time during the campaign. Pressing out from KSCB, Marine patrols engaged the enemy on March 30. The next day, Operation Scotland was ended. Operational control of the area turned over to the 1st Air Cavalry Division for the execution of Operation Pegasus. Designed to break the siege of Keh Sanh, Operation Pegasus called for elements of the 1st and 3rd Marine Regiments to attack up Route 9 towards Khe Sanh. Meanwhile, the 1st Air Cavalry moved by helicopter to seize key terrain features along the line of advance. As the Marines advanced, engineers worked to repair the road. This plan infuriated the Marines at KSCB, as they did not believe they needed to be rescued. Jumping off on April 1, Pegasus met little resistance as American forces moved west. The first major engagement occurred on April 6, when a day-long battle was waged against a PAVN blocking force. Fighting largely concluded with a three-day fight near Khe Sanh village. Troops linked up with the Marines at KSCB on April 8. Three days later, Route 9 was declared open. Aftermath Lasting 77 days, the siege of Khe Sanh saw American and South Vietnamese forces suffer. In the end, there were 703 killed, 2,642 wounded, and 7 missing. PAVN losses are not known with accuracy but are estimated at between 10,000 to 15,000 dead and wounded. Following the battle, Lownds men were relieved and Westmoreland ordered the base occupied until he left Vietnam in June. His successor, General Creighton Abrams, did not believe that retaining Khe Sanh was necessary. He ordered the base destroyed and abandoned later that month. This decision earned the ire of the American press, who questioned why Khe Sanh had to be defended in January but was no longer needed in July. Abrams response was that the then-current military situation no longer dictated that it be held. To this day, it is unclear whether PAVN leadership in Hanoi intended to fight a decisive battle at Khe Sanh, or if operations in the area were meant to distract Westmoreland in the weeks before the Tet Offensive. Sources: Brush, Peter. Battle of Khe Sanh: Recounting the Battles Casualties. HistoryNet, June 26, 2007. Unknown. The Siege at Khe Sanh. PBS.